![]() They escape from me, they organise themselves there is a frame, a grid. They are found in the gestures i am using, in the choice of materials. He integrates, in transparency, different overlays of fiction, from reconstitution down to drama. An antiphony within which, Pierre Clement would unveil, to the apocalyptic sound of «The war of the worlds”, scenes of disasters and other lines of an anticipation novel.Ī mixture of a dramatic soundtrack Clement adds, à la Jack Foley’s post-production style, the effects of a daily geomanipulation: photocopies, desert views, satellite imagery, jet-fighter holo-gun sights, hurricane eyes, 4G relay antenna’s shapes and other syringes. Above top secret could possibly be the title of a film by Terry Gilliam, evoking a nightmare of a future nuanced by a hymn to love. It talks about everything without any hierarchy, goes from biology through ufology, down to Donald Trump. ![]() ![]() We visualise the artist in his studio, behind his computer, searching within survivalist sites, surfing on conspiracy theorists, among which: Above Top Secret «The oldest pessimists website. ![]() The exhibition finds its most literal correspondence in both the daily life and imagination of Pierre Clement.
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